#Ultrascopes vs scopebox pro#
#Ultrascopes vs scopebox software#

To record footage, set recording parameters in the preferences and simply hit the red record button in the source window.

#Ultrascopes vs scopebox pro#

Furthermore, in order for the Preview window to display as well as for the scopes to register, it is necessary to do a Control-Click within each respective window to select the Source, which in the case of the example below is Final Cut Pro X.Ī final feature is the ability to record any input coming into ScopeBox at whatever resolution the footage might be. Of course, it is always possible to toggle between the outputs.Īnother little annoyance is that the source footage does not actually begin to display within ScopeBox until it is actually playing within the source application. Either launch ScopeBox and view the Scopes or select the capture card as your output. While a very small issue and hardly worth a worry, nonetheless users should be aware if after installing ScopeBox output via the capture card disappears. In order for me to view my footage on my reference monitor through my Blackmagic card, I need to reset that preference every setting. In Final Cut Pro X, for example, it is somewhat annoying that FCP X always seems to default to ScopeLink as its default AV output. To send footage from your NLE to ScopeBox via ScopeLink, you must select ScopeLink as the video destination in your NLE’s preferences. This provides an opportunity to examine a clip in more detail or even when applying a LUT via EditReady to see the scopes’ representation of the LUT’s effect. Using ScopeLink, clips ingested in EditReady, which we’ve previously reviewed, can simultaneously be viewed in ScopeBox. The program always accepted, and still does, any readable clip residing on the system.

In earlier versions when it only accepted external input through a capture card, I used it on several shoots as on-set scopes, taking SDI output from the camera into a Thunderbolt Blackmagic device and displaying both a preview image as well as whichever of the scopes I needed. ScopeBox accepts input from a capture card or direct from application via ScopeLink. All of the scopes have various intensity and scale options. For example, the Vectorscope can be toggled to show flesh line and tangents, zoom scale, auto or manually-set colorspace and zoom.

Furthermore, ScopeBox will reflect every pixel within the image which may not be the case within the built in NLE’s scopes.Įach of the various scopes has adjustments relevant to what the scope is measuring. ScopeBox also includes several scopes not generally available within NLE scopes including RGB histogram and channel plot. The overarching question here is why would anyone want to pay $99 for a scope application when your NLE already includes scopes? First of all, Divergent claims a high degree of accuracy with its scopes. ScopeBox’ most recent version incorporates a feature that Divergent calls ScopeLink, the ability to accept input from EditReady, Final Cut Pro X, Pomfort Silverstack, Adobe PremierePro, Adobe After Effects, Adobe Speedgrade and Adobe Prelude.

#Ultrascopes vs scopebox software#

ScopeBox from Divergent Media has matured over the years into not just a software scope solution but also a capturing tool.